Crete Pearl Grey Matt P4
Why Natural White: Light tiles read cleanest when the grout disappears.Ask your tiler for Ultracolor Plus 100 (Mapei) or Fugabella Color 02 (Kerakoll).
Test a warm and a cool sample in your actual light before you commit — north-facing rooms tip cool, west-facing tip warm.
- 45° Mitre — Two tiles cut at 45° and butted together. No metal, no plastic. Crisp.
- Pencil bullnose — A separately-fired pencil rail in the matching tile finish, sat on the cut edge.
- Schlüter JOLLY — PVC, anodised aluminium, or brushed brass L-profile that caps the cut tile edge.
- Schlüter RONDEC — Quarter-round metal trim that turns the corner with a soft rolled edge.
- Schlüter SCHIENE — Right-angle metal edge that finishes a tile where it meets a different material.
Where the tiled floor meets timber, carpet, or vinyl, SCHIENE gives a flush, durable transition.
Ask your tiler for Schlüter SCHIENE (AC / ACGB).
A soft and subtle natural stone inspired collection, the Crete series provides a gentle movement that creates a refined style to any design and can work effortlessly across a wide variety of tastes. The special In&Out finish allows the Crete series to flow from inside to out, creating a seamless transition between your indoor and outdoor spaces.
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- ✓Matt finish
- ✓Porcelain
- ✓1200 × 600mm
- ✓In stock
Tell us the area, we’ll work out the boxes — wastage included.
What you’re really specifying
The material
Porcelain is fired denser and harder than ordinary ceramic — low water absorption, high resistance to scratching and frost, and colour that runs through a rectified, dimensionally exact body. It is the workhorse of a modern Australian home.
The finish
A matte finish scatters light, hides smudges and underfoot wear, and reads soft and contemporary — a safe choice for floors and wet areas.
The format
At 1200 × 600mm this is a large-format tile — fewer grout lines, a calmer, more continuous surface, and a sense of scale that smaller tiles can't give. Worth flagging to your tiler, as large formats need a flat substrate and the right adhesive.
The colour
Tonally this sits in the white family. Light changes everything with tile, so order a sample and live with it on your wall or floor across a day before you commit — what reads warm at 9am can read cool by dusk.
Want it in your room before deciding? See this tile in your space →
Reviews
The sample pack changed our spec
We were stuck on bathroom marble for a month. Three samples landed in 48 hours, we lined them up against the cabinetry, picked one that night. Couldn't have done it from a website photo.
Trade pricing actually competitive
I've used five tile suppliers across builds. Marmoré's net pricing held up against the bigger names without the showroom theatre. Spec sheets are usable too.
Fast spec, calm process
The curation is the win. Less wading through 4,000 SKUs, more time on the actual brief. The 30-minute consultation is gold for a tight deadline.
Questions about Crete Pearl Grey Matt P4?
Our AI concierge answers from this tile’s spec sheet and our journal. For pricing on large jobs or trade enquiries, the studio replies within a business day.
Three to spec next to this
Crete Bianco White Matt P4
“Same Crete series, identical format — pairs seamlessly for zoning or feature walls.”
Chiswick White Matt P4
“Matching 1200×600 matt format at $1 less; subtle tonal shift works well across adjoining spaces.”
Chiswick Cream Matt P4
“Warm cream against pearl grey adds depth without contrast overload — ideal for open-plan transitions.”
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